Directed by Harry Cleven (Duplicity, Why Get Married the Day the Wolrd Ends?)
Devastated after the disappearance of her lover, Louise is sent to a psychiatric asylum where she secretly gives birth to Angel : an invisible baby boy. To protect him from the cruelty of the outside world, Louise hides her child. Angel grows up quite normally until he meets Madeleine, a blind little girl of his age. They quickly fall in love and become inseparable, Madeleine still unaware of Angel’s invisibility. Until one day, Madeleine announces that she will recover her sight.
A hot summer’s day in the Gaza Strip. Today the electricity is on. Christine’s beauty salon is heaving with female clients: a bride-to-be, a pregnant woman, a bitter divorcée, a devout woman and a pill-popping addict. But their day of leisure is disrupted when gunfi re breaks out across the street. A gangland family has stolen the lioness from Gaza’s only zoo, and Hamas has decided it’s time to settle old scores. Stuck in the salon, with the prospect of death drawing ever nearer, the women start to unravel. How will the day end? Will they lose their lives for the sake of “liberating the lioness”?
Directed by André Téchiné (French Riviera,Thieves, Wild Reeds, Strayed)
Damien is the pampered teenage son of a soldier and a doctor. He lives with his mother in Army barracks in the south of France while his father is on a military mission in the Central African Republic. Damien shows a new, defi ant side of himself in high school in order to stave off the bullies who taunt him over his effeminate ways: a friend of his father’s is teaching him to wrestle. When he meets Tom, the adopted son of local farmers, the hatred between the two boys is immediate and visceral. But when Tom’s mother is forced to go to the hospital, Damien’s mother quite naturally offers to take Tom into their home for a short while. The tension between the two boys becomes more and more palpable…
In order to save the man she loves from jail, Mathilde takes his place by helping his break-out. While she exclusively relies on him to survive in this prison setting, Mathilde has not heard from him since her imprisonment. Isolated, only supported by her son, she is now identifi ed by the inmate number 383205-B. Will Mathilde become a convict like any other one?
Directed by Cristi Puiu (The death of Mr. Lazarescu, Aurora)
Larry, a neurologist at the top of his career, and his wife, are attending a family meal in Bucharest to commemorate the death of his father, who died 40 days earlier. All the guests are waiting for the priest’s arrival. In the meantime, they argue about the 9/11 events. Lary tries to calm down the debate but opinions are so divided that not even the priest’s fl ying visit succeeds in reconciling the two camps. Just when things seem to be settling down, the arrival of an uninvited guest throws the commemoration into turmoil, which gradually deteriorates into an operatic settling of scores.
With Humanity threatened by the collapse of ecosystems, journalist and NGO director Cyril Dion and actress and filmmaker Mélanie Laurent head out across the world, in search of solutions to our planet’s crisis. Based on the most successful experiments in all sectors, TOMORROW writes a new story about what our future could be.
Madeleine, 92 years old, decides to set the date and conditions of her departure. By telling her daughter Diane and her son Pierre, she hopes to prepare them as gently as possible to her coming disappearance. But for her children, it’s a chock, and minds are set ablaze.
Until the end, Madeleine will keep her dignity, wits, and passion for life as a course of conduct, so she can give them all, and in particular Diane, a touching “final lesson”.
Directed by Emmanuelle BERCOT (Backstage, On My Way)
CANNES 2015 – OFFICIAL SELECTION – Opening Film
Abandoned by his mother, from the ages of 6 and 15 Malony is constantly in and out of juvenile court.
An adoptive family grows around this young delinquent: Florence, a children’s magistrate nearing retirement, and Yann, a teacher and himself the survivor of a very difficult childhood. Together they follow the boy’s journey and try unfailingly to save him.
Then Malony is sent to a stricter educational center, where he meets Tess, a very special young girl who will show him that there are reasons for hope.
Directed by Gurvinder Singh (Alms for a blind horse)
CANNES 2015 – OFFICIAL SELECTION – Un certain Regard
CHAUTHI KOOT evokes the atmosphere of suspicion, fear and paranoia of the Punjab in 1980s. It considers two loosely connected incidents: two Hindu friends trying to get to Amritsar and, some months earlier, a farmer who is told he has to kill the family dog. One story flows into the other and back – like a relay race one character passing on the baton to another. What binds the two is the condition of the common man trapped between the excesses of the military on one side and the militant movement for a separate Sikh nation on the other.
Directed by Benoit JACQUOT (3 Hearts, Farewell My Queen)
Berlin 2015 – COMPETITION
Early 20th century, in the French provinces. Much courted for her beauty, Célestine is a young chambermaid who has just arrived from Paris in the service of the Lanlaire household. Fending off her master’s advances, Célestine must also deal with the very strict Madame Lanlaire who lords over the house with an iron fist. Among the domestics is Joseph, the enigmatic gardener, who exerts total fascination over her.